The Painters Void
This short film told the story of a middle aged man, who has "painter's block". He is unable to create his next piece because he is tortured by the loss of the man he loves. Through the film we see our protagonist fall in love with art again.
This short was apart of the Capstone Scene Study class at Columbia College Chicago in 2021.
This film debut at Columbia College Chicago's Manifest Festival in 2o22.
I was the Production Designer on this project. I created the visual plan, as well as created the props within the frame. I also did costume work on this project.
All in A Days Work
This project told the story of a man who has a long history of bad decisions. He works his newest job when he is approached by an old coworker he cannot recognize. They play through a session of coin tosses that will determine his future.
This was an independent film made by current students and alumni at Columbia College Chicago in 2022.
On this independant film due to our Production Designer catching the COVID-19 virus. I acted as the Production Designer on set and carried out the plan of our original PD as a Set Decorator.
Hinge Commercial
This commercial follows a young man searching for a date on Hinge. Due to their voice feature he is trying to figure out which prompts to answer. He finally matches with a cute girl and the app is deemed successful.
This short was for the class Capstone Producing the Commercial at Columbia College Chicago in 2022.
This commercial debuted at Columbia College Chicago's Manifest Festival in 2o22.
I was the Production Designer on this project. I came up with the color pallets as well as fabricating some props, and was in charge of set decoration.
She Had a Hole Punched Ear at 16
This film tells the story of a Dystopian Chicago where two sisters fight against the clock. One sister is racing the clock to her execution, needing to write the words of her last poem. Meanwhile her sister is doing everything in her power to save her.
This film was for the Capstone Cinematography III class at Columbia College Chicago in 2022.
This film has an Honorable Mention as Best Sci-fi, a nomination for Best Cinematography and was awarded Best Editor at the Indie Shorts Fest 2023.
On this production I was one of two Production Designers. I was responsible for overseeing Wardrobe, Props, as well as Set Decoration and Construction.
This film showcases grief and the possibilities of coping with it. In a post apocalyptic world a married couple handles the death of their son. The wife cannot move on while the husband has moved on to survive for his wife. They push back and forth as they discover who they are when they aren't parents.
This film was made for the Directing II class at Columbia College Chicago.
For this production I was one of two Production Designers. I was responsible for overseeing wardrobe and props.
Cure For Hiccups
Sock is a nerdy queer in his early 20’s who becomes absolutely smitten by a social-climbing Adonis-like jock named Brian. Sock, so blinded by attraction, is unaware that Brian is merely using him as a means to get into the hottest underground nightclub– a club that Sock has ties to through his roommate and bestie, Tee. Tee is a talented black DJ and too nice of a friend, so she agrees to help Sock fulfill this fantasy of his. To Sock’s horror, Tee comes down with an obnoxious case of hiccups, and Sock tries his darndest to cure them before Brian arrives. While Tee quite literally battles for her life, Brian casually makes some racist and sexist comments. Tee presses Sock to make a decision. What does Sock value more? A treasured friendship, or a racist (but sexy) guy? This is a happy story, so of course he realizes that his friendship with Tee is just something that can’t be replaced. With a change of plans, Sock and Tee happily watch a terrible straight-to-DVD horror film.
This film was made for the Bachelor's in Fine Arts Senior Thesis Class at Columbia College Chicago.
This film will screen at the Manifest Festival in Spring of 2024.
On this production I was the Production Designer, in charge of overseeing the visual design of the production. I managed budget of this department as well as overseeing the fabrication schedule, managing wardrobe for all actors.
Fashion Visual
This project was in collaboration with a local Fashion Designer, Aysha Nikole Henry and photographer/creative Julienne Chollette. Taking inspiration from Vogue, Breakfast at Tiffany's, Beyoncé's "Brown Skin Girl" etc. Our goal was to create a fun fashion editorial to showcase Aysha's newest collection inspired by the Golden Age of Hollywood.
This video was made for Behind The Rock Productions, Julienne Chollette, and Aysha Nikole Henry to be displayed in a gallery in Spring of 2024. As well as Manifest 2024.
Pandora's Applebox
In a bustling city, Bradford, the mastermind, and Garret, the muscle, prepare for a daring heist. Dressed in Mission Impossible-esque attire, they gear up and head to an inconspicuous bodega, hiding the prized treasure known as Pandora’s Apple Box. Their plan hits a snag when their forged IDs fail, triggering an alarm. In a swift move, Garret incapacitates the bodega owner, allowing them to access the restricted backroom. Inside, they confront a maze of security measures, including a room filled with lasers. Despite their efforts to bypass the system, they trigger an alarm, plunging the room into darkness. Armed with glow sticks, they press on, unlocking the final door to reveal the vault's treasures. Among the treasures, they discover a seemingly empty briefcase. Disappointed, they hurl it aside, inadvertently revealing a hidden box marked "1600." Inside gleams a pristine Oscar for Best Cinematography, the proper object of their mission. Their celebration is short-lived as the vault's animated suits of armor spring to life, attacking them. Separated, Garret engages in a fierce battle with Shield and Staff, while Bradford faces off against Daggers and Broadsword. They overcome their adversaries through quick thinking and resourcefulness and secure the Oscar. As they escape, the ground begins to shake, signaling impending destruction. They hastily retreat, narrowly avoiding disaster as the bodega and its treasures are consumed by chaos. Outside, they encounter a mysterious figure, Robert Edgecomb, who approves of their success. With the Oscar in hand, they depart, leaving the remnants of their daring adventure.
This project was in Association with Columbia College Chicago's Cinematography III Capstone Class.
On this production I was the Set Decorator alongside Frankie Buente. We collaborated on helping to create he background of the action, explaining the context, adding mood and visual interest as the drama unfolds.
Commercial(s) for Funding Gala
A Commercial Production in tandem with Behind The Rock Productions and a Medical Foundation in Chicago dedicated to serving their community and creating Medical Equity.
AWAKE
Awake delves into the tumultuous journey of Ellie, a young ballerina, as she grapples with the aftermath of a devastating fall during a performance of Sleeping Beauty. As she navigates the relentless pursuit of perfection and the pressure to excel, Ellie wrestles with the delicate balance between passion and self-preservation. She struggles to reconcile her physical and emotional trauma with her passion for ballet. Facing harsh criticism from her teacher, Ellie pushes herself beyond her limits to prove she can still excel. However, a chance encounter with Caleb, her former partner who inadvertently caused her fall, forces Ellie to confront the reality of her situation. Through their conversation, Ellie begins to recognize that her relationship with dance may need to evolve. As auditions approach, Ellie is faced with a pivotal choice: adhere to the familiar path she's always known or embrace the uncertainty of a new direction. In this journey of self-discovery, Ellie learns that compromise is not defeat but a catalyst for growth, ultimately empowering her to redefine her identity and pursue her passion on her own terms.
On this film I was the Production Designer. Meaning I held responsibility for the physical "look" and "feel" for this film. I also managed our accounts and lead the department to the best of my ability.
